My Process

I was fortunate to study art and media in the late 80’s. I had progressive art professors that pushed us to think conceptually and push our techniques. I was obsessed with layers and textures and building something on my canvas with more than my oil paints. In 2018, I began working deeply with various multimedia, encaustic treatments which was the catalyst to the fine art I produce today. I am extremely inspired by my industrial roots growing up in Windsor-Essex along with the large influence of Detroit. I spent many hours in awe at the DIA as a student. Now on my travels, I look for rare and unique items that are part of this industrial history. The repurposing of old wax, paper, metal including my old lithographs allows me to build rich layers of colour, texture, and graphic juxtapositions. 

I remember the first time I saw a QR Code and thought it was a genius creation. The idea that a code could take me to any link was incredible to me. I played with earlier versions on the side or in the piece. Now I use a custom code for each piece that acts as my signature and allows the viewer to connect with me on a deeper level and get a true sense of my intentions behind the art they are experiencing. 

My current body of work depicts our constant evolution as a culture. Through the heavy textures and unique vintage elements, I look to communicate the many layers of history we are connected to through the universal energy we feel in cities around the world. The opportunity cost of the industrial revolution combined with the hope and excitement of innovation is something my region knows very well. The various images depict both the wealth and suffering that is somehow a staple in mankind’s history. Every generation plays their role in shifting us to a better way of being. Through my work I try to communicate a message of hope, wonder and perhaps a mindful moment in each unique piece. 

This video provides you some insight into my process: